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c. 1445 – May 17, 1510. Italian painter.

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Edward Matthew Ward
Sir Thomas More's Farewell to his Daughter

ID: 19154

Edward Matthew Ward Sir Thomas More's Farewell to his Daughter
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Edward Matthew Ward Sir Thomas More's Farewell to his Daughter


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Edward Matthew Ward

British Painter. 1816-1879 His parents encouraged his early interest in art. He was sent to a number of art schools, including that of John Cawse (1779-1862), before gaining entry to the Royal Academy Schools in 1835. He first exhibited at the Royal Academy in 1834 with Adelphi Smith as Don Quixote (untraced). In 1836 he went abroad for further study, visiting Paris and Venice on the way to Rome, where he spent three years. His first work of any consequence was Cimabue and Giotto (untraced), which he sent back to the Royal Academy show of 1839. On the way back to England at the end of that year Ward visited Munich to learn the technique of modern fresco painting in order to take part in the competition to decorate the Palace of Westminster, but his cartoon, Boadicea (1843; untraced), was unsuccessful. However, in 1852 he was commissioned to produce eight pictures for the Palace of Westminster, on subjects drawn from the English Civil War, the best of which is the Last Sleep of Argyll (1860s) in the Commons Corridor of the Houses of Parliament   Related Paintings of Edward Matthew Ward :. | The Investiture of Napoleon III with the Order of the Garter 18 April 1855 (mk25) | The Figurantes | Hogarthian image of the South Sea Bubble | Dr. Johnson in the ante-room of Lord Chesterfield in Chesterfield House, Westminster. | Leicester and Amy Robsart at Cumnor Hall |
Related Artists:
Thomas Butler
1806-86
Bernard Blommers
(30 January 1845 in The Hague - 12 December 1914 in The Hague) was a Dutch etcher and painter of the Hague School. He learned lithography early in his career, and then studied at the Hague Akademie under Johan Philip Koelman until 1868.His early paintings were mostly genre works depicting fishermen and their wives, heavily influenced by Jozef Israëls.The later works (from about 1890) are more loosely painted, although maritime and genre scenes remained the primary subject matter. His work was critically successful during his lifetime, being sought after by English, Scottish and American collectors.
Johann Bernhard Klombeck
painted A Forest Scene in 1857






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